Tuesday, February 4, 2025

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Who Will Help Us Buy The Unpublished Screenplay For Terrence Malick’s ‘The English-Speaker’?

Do you have a spare $495? Don’t need to spend it on the things that the rest of us do, like food, and rent, and Criterion Collection Blu-Rays? Well, it turns out you can be the proud owner of a copy of an unpublished, unmade screenplay by the great Terrence Malick. A helpful reader (thanks!) pointed us towards an item on eBay that appears to be called “The English-Speaker,” and dated 20 October 1992, credited to one “Terry Malick.”

And while you might question the authenticity of the particular script floating around for sale on eBay, but the project is very real, albeit an old one about profound mental illness.

An article in Vanity Fair (via Wikipedia) referred to the script, which was apparently written for the producers of “The Thin Red Line,” Robert Michael Gleiser and John Roberdeau, and a Variety article from 1992 refers to it as a project that Malick had been thinking about since before “Days of Heaven” (in fact, it was supposed to shoot before “The Thin Red Line”). Malick reportedly fell out with the producers after his second world war epic (which at one point had a five hour cut and almost starred Adrien Brody and John C. Reilly instead of relegating them to minor roles), which may help to explain why the project’s never seen the light of day (well, that and the fact that the director isn’t exactly prolific…).

A blog devoted to the director reported that the script was about the famous psychoanalysis patient Anna O, who was really an Austrian-Jewish feminist named Bertha Pappenheim. Following the death of her father, she became a patient of Josef Breuer, and was featured as a case study in his book “Studies on Hysteria,” co-written with Freud. Among her symptoms were “absences” — a change in personality, accompanied by “profoundly melancholy phantasies…sometimes characterized by poetic beauty.” She also suffered from language disorders, able only to understand German, but speaking English, French or Italian.

We’ve passed the hat round here at The Playlist in the hope that we might be able to place a bid, but all that most of us have in our pockets are knives and lint, so we’ve come up short. Hopefully, whoever does pick it up will somehow persuade Malick to actually make the thing… Oh and if you do happen to pool your resources and buy it, be sure to scan it and send it to your friendly neighborhood Playlist who tipped you off to its existence in the first place.

Update: That was fast. The ebay auction is over and the screenplay has been sold. Hook some Playlist brothers and sisters up.
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8 COMMENTS

  1. The rights issue with The English-Speaker is more complicated than you've been led to believe. Before his falling out with Geisler and Roberdeau (who were underwriting development of English-Speaker out of pocket), they inherited the rights to the project (they outright own it, not just an option)… They've since had loads of financial trouble and refuse to sell the rights back to Malick, so don't expect to see it any time soon.

    That said, thanks for the tip-off. Derf will be acquiring this script 🙂

  2. There are others out there.

    When I was working for an international distribution company in the early 90's, we had a Malick script come through. It was more a curiosity at the time — everyone was very focused on locating the next "Total Recall' or "Basic Instinct." I don't recall the title but as I remember it was about 2 men (brothers perhaps), one wealthy and successful and one broke and homeless. At the time, I loved me some arty drama scripts (I was a big champion of "The Piano" which ultimately found a home elsewhere) but the Malick script was really on the nose and clumsy. If there was a great film there, it was in Malick's head and not on the page.

  3. So I tracked down the name of the Malick script that came through the office in the early 90's: "Countryman" (alternately titled "Hungry Heart")

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