Friday, October 4, 2024

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Who Will Direct The Oz Musical ‘Wicked’? Rob Marshall, Ryan Murphy, JJ Abrams & James Mangold Are Early Contenders

We had long hoped this day wouldn’t come, but here we are – Universal is finally getting the pieces together on a movie version of “Wicked,” the intolerable hit Broadway musical your faux-edgy little sister just looooooves. Producer Marc Platt, the musical’s book writer Winnie Holzman and songwriter Stephen Schwartz have begun meeting with and/or seeing early interest from a list of potential directors which currently includes James Mangold, Rob Marshall, JJ Abrams and Ryan Murphy.

“Wicked,” for those of you lucky enough to avoid this particular piece of pop art claptrap, is a musical spinoff from “The Wizard Of Oz,” based on the novel Wicked: The Life and Times of the Wicked Witch of the West by Gregory Maguire, that re-imagines the story of the Wicked Witch as a twee high school narrative where she’s wrongly demonized by the popular girl, Glinda the Good Witch. The musical, a big-time Broadway grosser, is considered responsible for helping Idina Menzel and Kristen Chenoweth break into the mainstream. Thanks for that, guys.

This project wouldn’t work for ANY of these filmmakers, as it’s an excruciating borderline-fan-fictiony waste of time, so if we had to choose, we’d pick Harold Pleasedon’tmakethismovie or Betty Burnthescriptwithtribalfire. But we’re not making the decisions over at Universal. The contenders please!

James Mangold: Somebody needs a hit. Mangold, a genre hop-scotcher, just got burned hitching his wagon to Tom Cruise, with “Knight And Day” falling short of even “modest word-of-mouth” hit status with a massive budget in a down summer. He’s worked in horror (“Identity”), westerns (“3:10 To Yuma”), crime films (“Copland”) and, most importantly, quasi-musicals (“Walk The Line”) so he would be a reliable hire for this sort of work. Mangold would never be an offensive choice for this type of film, but he certainly wouldn’t be lighting asses on fire.

Rob Marshall: Apparently the go-to guy for people who like musicals without actually seeing them. As a film director, Marshall is barely one-for-three: “Chicago” won a questionable Best Picture Oscar, but “Memoirs of a Geisha” and “Nine” were disaster-sized disasters that lost everyone involved a whole lot of money and credibility. Someone up there still likes the hoof-lover, since he’s doing duty at sea for the next “Pirates of the Caribbean,” but this guy proved with “Nine” that he’s depressingly stage-bound and bereft of the visual imagination that allows a great movie musical to soar. He’s coasting pretty much on reputation by now, as Hollywood doesn’t seem to mind someone directing a bad movie in a specific genre as long as they keep making films in said genre.

JJ Abrams: Yeah, guys, this isn’t going to happen. “Wicked”‘s cream-of-the-crop fanbase are nerd girls (who this year’s “Twilight” and “Alice In Wonderland” seem to have solidly proven are a legit fanbase), and while Abrams certainly has his share of followers from that area, he is right now moving closer to A-List directorial status. After completing “Super 8” he’s moving on to pre-production on “Star Trek 2” and we don’t seem him shifting from that, as it is itself a highly anticipated sequel to something fairly nerd-baity. Out of all the nerd avatar filmmakers, Abrams seems the most determined to be a mini-Spielberg, and “Wicked” is not Spielbergian at all.

Ryan Murphy: Finally, the perfect, awful choice. Murphy, known for creating the hit shows “Nip/Tuck” and “Glee” (the popularity of which no doubt gave this project a kick in the ass), is a nightmare behind the camera if his directorial debut, “Running With Scissors” is anything to go by. With “Eat Pray Love” on the way, Murphy’s got an empty dance card and seems perfectly suited to the show’s mix of treacly artificial melodrama, atonal music and juvenile misbehavior. Oh yeah, he does have Mark Ruffalo attached to a gestating HIV/AIDS drama “The Normal Heart,” but like we just said, it’s an HIV/AIDS drama; funding on that will be hard to come by so don’t be surprised if it goes straight to the backburner.

If these names are anything to go by, particularly Murphy’s, we’ll guess execs don’t mind if this movie looks like shitty, shitty TV*. And why would Hollywood stop at one bad idea when they can Xerox it? “Wicked” is not nearly the only “Oz” project still in development. There’s “Oz The Great And Powerful” over at Disney, while Drew Barrymore is tentatively attached to the Zach Helm-penned “Surrender Dorothy.” Furthermore, the Polish brothers have been working on their own top secret “Oz” project, while IMDb has the details on a goofy 3D reworking of the story with luminaries like Sean Astin, Lance Henriksen and Christopher Lloyd involved.

The project is still in its early days, with more meetings still to take place in the fall when the authors of the musical come to Hollywood. It sounds like a lot of people will need to sign off on the director so don’t be surprised if a decision takes a while to get made and none of these names end up doing it.

*Another Universal musical based on a hit Broadway show that looked like shitty TV: the $609 million-grossing “Mamma Mia.”

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16 COMMENTS

  1. I love a good old news story, full of snarkiness and condescension, that gets everything from the source novelist's name to the simplest grammatical concepts wrong. It's almost irony, but far more amusing.

  2. I think Wicked doesn't deserve to be dismissed immediately. (I don't think it's useful to take such a quick, snarky stance on any element of pop culture really.) There is some interest in Wicked for depicting the power of state propaganda, the Wicked Witch as freedom fighter versus terrorist.

    It's certainly more interesting than the faux-seriousness of Sin Nombre which you guys fell head over heels for.

  3. It's interesting how much you and everyone else on this site seems to prize your elitism over the most basics of grammar and writing. How hard is it to edit and fact-check? Being arrogant isn't unique of crowd-pleasing. It's just kind of sad.

  4. Gabe and the rest of the guys who run this website are a bunch of hypocrites! I remember how excited you guys were last year regarding Rob Marshall's adaptation of Nine hoping it would be good.

    Now you guys are pretty much insinuating that Rob Marshall has no visual style considering that Dion Beebe won cinematography Oscars for both Chicago and Memoirs of a Geisha under Rob's direction.

    Anyways, I suggest you guys find a side and stick with it like AICN or be objective in your reporting like the guys at ComingSoon. We all love our cinema here so please refrain from being a gossip site a la perez hilton who slags hard working actresses like Kristen Chenoweth and Idina Menzel.

    THAT. IS. ALL.

  5. doesn't matter who directs it, this POS will make more money than 99.99999999999% of this readership will ever dream of.

    so let's just let the jizz dry.

  6. I was never a supporter of Nine or Sin Nombre (what a weird comparison). Also, who cares how much money Wicked makes? That won't change that it's an empty show. Plus, Idina Menzel and Kristen Chenowith are the WORST.

  7. The one sentence summary you give the book doesn't do it any justice. The musical is NOTHING like the book, save for a few characters. The "creatives" behind the musical pretty much threw most of what made the book so good out when making the awful musical.

  8. And if the filmmakers wanted good source material for a good movie that could be remembered beyond one awards season, they should forgo the empty, soulless broadway musical crap and just adapt the book into a serious film aimed at adults, not teen girls.

  9. Gabe told me to "eat a thick rod of shit" in another comment section (so don't delete this comment – I'm just quoting your own blogger).

    Expecting fine journalism in one of his articles is kind of like expecting to find a needle in a pile of shit logs.

  10. I think it's extremely stupid to trash a play this amazing expecialy by someone whom mostly likely has never even seen it let alone read the amazingly good book. This musical has a tremendous fan base and the odds of being a large blockbuster film. It's an amazing and tragic story wich I believe will become an amazing movie very soon.

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