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‘Shutter Island’ Soundtrack Scares Up Brian Eno, Max Richter, Krzysztof Penderecki, Györgi Ligeti & More

In preparations for its February 19th release, the score for Martin Scorsese’s new thriller “Shutter Island” was released by Rhino Records on Tuesday.

From the looks of it, Scorsese has abandoned his oft-used classic rock soundtrack habits and, almost positively taking a queue from Stanley Kubrick’s soundtracks, adopted a selection mostly of various modern classical pieces. Contemporary composers such as Brian Eno and Max Richter (whose score for “Waltz With Bashir” we loved) are used, as well as Stanley Kubrick modernist favorites of Krzysztof Penderecki and Györgi Ligeti, amongst others. Pre-rock & roll singer Johnnie Ray, blues legend Lonnie Johnson, and jazz singers Kay Starr and Dinah Washington are the few moments that hearken back to Scorsese’s typical soundtrack milieu.

Color us certainly intrigued. The film has been casually pegged already as containing B-movie elements, but this set of pieces certainly suggests a different mood rather than a conventional score. Depending on how it is used in the film, the soundtrack presented here for “Shutter Island” could create an entirely unsettling and chilling atmosphere for the film. This certainly bodes far better than a manipulative score riddled with clichés (see “The Wolfman”) and we are eager to see if the pieces work successfully in the film. Full tracklisting and sample tracks below. – Jon Davies

“Shutter Island” Soundtrack Listing

Disc: 1
1. Fog Tropes – Orchestra of St. Lukes, conducted by John Adams
2. Symphony #3: Passacaglia – Allegro Moderato – National Polish Radio Symphony, conducted by Antonio Wit
3. Music For Marcel Duchamp – Philipp Vandre, prepared piano
4. Hommage a John Cage – Nam June Paik
5. Lontano – Wiener Philharmoniker, conducted by Claudio Abbado
6. Rothko Chapel 2 – UC Berkeley Chamber Chorus
7. Cry – Johnny Ray
8. On The Nature Of Daylight – Max Richter
9. Uaxuctum: The Legend Of The Mayan City Which They Themselves Destroyed For Religious Reasons – 3rd M – Vienna Radio Symphony Orchestra; Peter Rundel, conductor
10. Quartet For Strings And Piano In A Minor – Prazak Quartet

Disc 2
1. Christian Zeal and Activity – John Adams / Edo de Waart & San Francisco Symphony
2. Suite For Symphonic Strings: Nocturne – The New Professionals Orchestra, conducted by Rebecca Miller
3. Lizard Point – Brian Eno
4. Four Hymns, II For Cello And Double Bass – Torleif Thedeen & Entcho Radoukanov
5. Root Of An Unfocus – John Cage
6. Prelude – The Bay – Ingram Marshall
7. Wheel Of Fortune – Kay Starr
8. Tomorrow Night – Lonnie Johnson
9. This Bitter Earth / On The Nature Of Daylight – Dinah Washington & Max Richter

Brian Eno – Lizard Point

Max Richter – On The Nature Of Daylight

Johnny Ray – Cry

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6 COMMENTS

  1. The film is ultimately a clattering, somewhat hollow affair, but wonderful to look at, and even better to listen to. Robbie Robertson curated the soundtrack, btw, and did a fantastic job – there are three Eno snippets, and they show up so subtly and briefly that they really qualify anyone who gets them as a trainspotter. I have much of these but liked them so well together that I picked up the 2CD set.

    Actually, I picked up the 2 CD set for my mother ($14.99 from Amazon), and downloaded the set for me ($10.99 from Amazon). A bargain, I think.

  2. i can't think of any parts of that movie where the music wasn't adding something more deep or dramatic to the scenario. Every piece was well chosen. Bravo!

  3. I was baffled when seeing this soundtrack playlist: when I saw the movie I only recognised few of them: Max Richter, Brian Eno, and was pleased with these.
    All other music is so subtly woven into the screenplay, yet it represents some significant 20th century contemporary classical music. The soundtrack made me view the movie again. Great!

  4. As for the movie & soundtrack, great stuff!
    Little dissapointed in that there is no mention of the one piece of music pointed out in the movie which was being played on the old phonograph. The "Quartet For Strings And Piano in A Minor – Prazak Quartet" was composed by Gustav Mahler, mentioned in the movie but not in the Soundtrack credits. What a shame, if you enjoyed the piece as I did, I'm going to search for it, purchase a good recording and explore further Mahler works.

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