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Jean-Pierre Jeunet Accuses Guillermo Del Toro Of Stealing From ‘Delicatessen’ In ‘The Shape Of Water’

With thirteen nominations under its belt, “The Shape Of Water” is the current frontrunner to win big on Oscar night. Almost everyone has swooned for Guillermo del Toro‘s lovely blend of fantasy, romance, monster movie, and classical filmmaker, however, there’s one director with a bone to pick.

Jean-Pierre Jeunet has accused del Toro of stealing a scene from his 1991 film “Delicatessen,” and essentially replicating it in “The Shape Of Water.” The sequence in question involves Dominique Pinon and Karin Viard dancing in unison on a bed, while an old musical plays in the background on the television. In ‘Shape,’ Richard Jenkins and Sally Hawkins similarly do a little softshoe number while seated on the sofa, as a musical plays in the background on the television.

Jeunet brought up the two scenes to del Toro who brushed off the accusation, saying that they both have inspired from other directors, particularly Terry Gilliam.

“I told him: You have a lot of imagination, a lot of talent. Why go and [steal] the ideas of others?” Jeunet told Ouest-France (this has been Google translated). “He said, ‘We owe Terry Gilliam everything.’ According to him, he does not steal from others, it is Terry Gilliam who has influenced us all. When he stakes the scene of the couple sitting on the edge of the bed dancing with their feet, with the musical in the background on TV, it is so copied and pasted [from] ‘Delicatessen’ that there is a moment when I say to myself that he lacks self-respect.”

Jeunet says that he won’t sue for plagiarism, but that he’s mostly disappointed, because he believes, “Guillermo has enough talent not to do that.” Moreover, he won’t hear any argument that perhaps the director unconsciously copied the scene, saying, “it is obvious that he had ‘Delicatessen’ in mind.”

So, will this be this year’s big #OscarControversy? We’ll see. Guillermo del Toro has been a pretty open book about this influences for “The Shape Of Water,” but has yet to respond to this claim from Jeunet. Check out the two scenes below and judge for yourself.


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22 COMMENTS

  1. It does not look like plagiarism at all to me, though there are similarities, they are minor. But Jeunet’s scene itself is a little masterpiece and Del Toro’s is just a gag.

  2. I don’t see the where he can get plagiarism, both scenes are similar to a very minimal degree where both scenes feature a couple watching television and something they do is in sync with it. Context-wise there really isn’t anything remotely similar at all.

    I don’t know why this director, seemingly out of the blue, would make these type of accusations. Call out GDT for his black lagoon creature design looking like a more animalistic take take of Abe Sapien from his Hellboy movies but all that talk for the scene in question seems a bit much.

  3. Literally everyone’s ideas come from something, none of these people are creating things out of thin air. Just nobody tell the guy on youtube who thinks he’s cracked some conspiracy cause City on Fire and Reservoir Dogs have robberies in them and tarantino likes to lift whole shots from old movies he likes

  4. ‘The Shape of Water’ is a very good film and I liked it a lot, but it very clearly IS a mix of Jeunet’s three most popular films: Amélie, The City of Lost Children and Délicatessen. There’s no denying it. Anyone who’s seen any of these films will notice the influence straight away. It’s that obvious.

  5. TEN MINUTES into this movie and I’m already googling to see if Jeunet was actually involved in the production. The influences are very obvious, both in subject and execution. To me personally, I think a little too obvious. The music, the set-pieces, even the distinctive green/red lighting palette. All very reminiscent of Jeunet’s earlier films. It’s a good thing the story is unique, because damn.

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