Monday, December 2, 2024

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Noah Baumbach’s ‘Greenberg’ Finished, Up For Grabs At American Film Market

Update: Ok, so in all the excitement we got a little bit ahead of ourselves. These films, as far as we know, won’t be screening but are at the stages where rights and distribution deals will be made. But the deal still stands – if you manage to see clips or grab press kits for these please let us know!

Two films that have managed to stay mostly under the radar as they’ve been shooting, have been Noah Baumbach’s “Greenberg” and Sofia Coppola’s “Somewhere.” Well, the eagle eyed Richard Brody over at the New Yorker spotted an ad in Variety from Focus Features mentioning that both films will be screening up for grabs at The American Film Market in Santa Monica. The industry event, which runs from November 4th to 11th, brings together distributors and buyers from all over the world to talk shop, glad hand and sign contracts.

“Greenberg” brings together a solid cast including Ben Stiller, Jennifer Jason Leigh, Rhys Ifans, Juno Temple and mumblecore “heavyweights” Greta Gerwig and Mark Duplass (a good director is exactly what these two need). The story, developed by Baumbach and Leigh is about a New Yorker who moves to Los Angeles to housesit for his brother and figure out his life, when sparks begin to fly with his brother’s assistant. The film will be another blend of drama and comedy for the director, who with “The Squid & The Whale” and “Margot At The Wedding,” has shown a knack for incisive insights into family dynamics (and “Wedding,’ while tough to watch and full of difficult characters is an underrated gem; the soundtrack to the film was excellent too and one of our faves of that year).

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15 COMMENTS

  1. Yeah, I can safely say that neither one of these movies is on my list. Barring a select few sequences from The Squid and the Whale, I've never enjoyed Baumbach's work, which I find a hackish on-the-nose Woody Allen wannabe at best and juvenile masquerading as elitist at worst…Is there anything more insulting?

    I've enjoyed Coppola's work much more (especially when her brother Roman is DPing and directing second unit), but the premise of her latest sounds like a snoozer.

  2. I enjoy (latter day) Baumbach — Squid was very good and Margot had many wonderful moments despite being too cynical and shallow overall.

    Sofia Coppola, on the other hand, is the only hack in Hollywood. I know what you're thinking, but nobody thinks Brett Ratner is a great artist. And while I personally can't stand, say, Neil LaBute, I can see that he has talent. But Sofia Coppola's film are so shallow, vacuous, and downright (creatively) incompetent.

    Have you ever read the screenplay for Lost in Translation? What was the best part? The staring blankly? The vaguely racist Engrish jokes? The part about a vain Spike Jonze-like "photographer" being mean to his beautiful, angelic wife? Or the plot ripped off In the Mood for Love? What was great about that screenplay?

    Visually, I guess they are accomplished — not because she comes up with fresh, invigorating images, but because she hires Lance Acord to shoot postcard pretty pictures of pretty surroundings and pretty people and pretty costumes. And then she picks trendy soundtracks that may or may not fit the actual scene they appear in.

    I'm deeply annoyed, though not shocked at how critics have fallen for her schtick. I guess they like a good comeback story — cute daughter of a legend, ruined Godfather 3, and now she making "art" films! You know, minus the art.

    [DEEP BREATH; END RANT]

  3. labute's wicker man is a mysterious, absurd, insane film that i actually thoroughly enjoyed because of the incredibly strange vibe it gave off and the "is it a comedy?" stuff going on. not to mention all that feminist fascist stuff going on and the hints that all the women have some kind of hive mind with the bees like when cage smacks that bee and the inn keeper winces…so good. so strange.

    you lack all joy and common sense if you don't think nic cage screaming "killing me won't bring back your goddamn honey!" isn't one of cinema's finest moments. absurdism at its best.

    labute's other work is crap though. especially the condescending lakeview terrace.

  4. Yeah it's hilarious that Lost in Translation won BEST SCREENPLAY…Clearly, no one who voted actually read it, because Bill Murray changed every line of his dialogue, improvised a ton and made the film much more interesting than it is on paper. That said, I've always had a soft spot for LiT, mostly because of the stellar cinematography and music.

  5. Funny you mention that. I've always heard that the Lost In Translation script was bad, but i had heard that one never really existed. Coppola had put together a sketch and sent it to Bill Murray and he wasn't impressed, but he liked the idea, so they basically improvised most of it.

    I dunno, I think it has a lot of Claire Denis like qualities, it's all about mood and atmosphere and tone and i think it succeeds for what it is.

    There's not much of a plot, but that's never a sin and if they script was bad, well the end result was great to a lot of people.

  6. By the way, I'm not saying a great film has to have a great script or any script at all. I'm just using that as one example of something she's been formally acclaimed for that she has no business meriting.

  7. Kicking and Screaming was his best work in my opinion. The common theme of his work seems to be "upper class, intellectual white people with problems". Margot was decent and tailor made for Nicole "Valium induced coma" Kidman.

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