Academy Award winning Director, Ang Lee, is filming his new film “Taking Woodstock.” Lee’s close friend and writing /producing partner, James Schamus, spoke with MTV about the film and its director.
“Demetri Martin is the main character,” Schamus said, explaining who is really going to steal the show, “This is his ‘Hello world, this is Demetri Martin [moment].” Martin is one of our favorite stand-up comics, and we are super excited for him. We’re glad to see that he isn’t starting out in some terrible rom-com ala Dane Cook. Maybe once his name gets to the masses, his original screenplays will get made.
Starring alongside Martin is Paul Dano, Live Schreiber, Emile Hirsch, Imelda Staunton, and that feature film serial boner slaughterer, Dan Fogler.
“It’s not the story of Woodstock,” Schamus said, “It’s the story of a guy who happened to almost, by accident, help make it happen. Demetri plays this schnooky interior designer, a gay guy, who lives in Greenwich Village. [Martin’s character] is broke and totally under the thumb of his Russian Jewish parents who own this fleabag hotel, this Catskills dump. He has to move back in with them for the summer, and up there he’s in the closet and the president of the Chamber of Commerce, which is a joke because there’s no commerce.”
“Every summer he gives himself a permit to have a music festival on the front lawn to drum up business for the hotel,” he continued. “So one day he’s listening to the radio and hears this music festival lost their permit, and he calls them up and says ‘Well, I’ve got a permit.’ He thinks he’ll drum up business for the hotel. Two-and-a-half weeks later, half a million people show up and it completely changes his life.”
TAKING WOODSTOCK movie how came to ANG LEE, feel free to quote from this article
this is NEWS scoop, never reproted before anywhere in world! i did the research!
comments by DANNY BLOOM
Tufts 1971 in Taiwan forever
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Ang Lee’s new movie “Taking Woodstock” has backstory of pure serendipity
cooment from Danny Bloom
comment person in Taiwan, SMILE!
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Taiwan-born Hollywood director Ang Lee, 53, is tackling a new movie
project, a comedy this time, about America’s
famous Woodstock hippie music festival in 1969. Titled Taking
Woodstock, the film’s screenplay was written by
longtime Lee collaborator James Schamus, 49, from a book by Elliot
Tiber with the same title.
Tiber’s memoir was quietly published with little fanfare in 2007 by a
small publisher in New York, but now the book,
subtitled “A True Story of a Riot, a Concert, and a Life,” has become
Lee’s entree into the world of film comedy. It’s
tentatively set for a premiere in New York on June 26, 2009 —
according to sources and several movie websites on the Internet —
around the time of the 40th anniversary of the 1969 Woodstock
festival. The three-day concert took place in the middle of August of
that year, beginning on August 15.
Rudy Shur is the president of Square One Publishers, a book company in
New York, which bought the book and
released it in 2007 without really knowing if there was a Hollywood movie in
it. But ten months after publication, a
movie deal was signed with Focus Features in New York. Focus Features
is owned by NBC Universal, with James
Schamus serving as the independent studio’s CEO. Tongues are already
wagging on blogs and websites about what Lee’s
take on the Woodstock era will be like. The principal location
shooting in upstate New York is set to be completed
by the end of this month, according to Variety magazine, a film
industry publication.
In a recent email interview about how the book and movie sale came
about, publisher Shur, 62, explained the book’s
curious backstory.
“Two friends of mine told me about a man they knew who had a very
interesting and unique ‘story’ to tell, and they
asked me to call him and see for myself if the memoir project — still
unwritten — would make a good book. After
talking to Elliot Tiber and listening to his story about Woodstock in
the Sixties, I told him that it would make a terrific
book, but that our book company usually didn’t publish those types of
memoirs and that he would be better off with a
larger publishing house that had more experience and marketing clout.”
Despite Shur’s advice to take his book project to a bigger publishing
company, Tiber kept coming back to him and
Shur finally said that he would take on the book, but with the same
earlier reservations he had expressed before.
“I decided that maybe it was time to take a chance with this kind of
book, and since it was my company, well, I
would do as good a job as I could,” Shur added. “So I called Elliot up
and said ‘Lets go for it’.”
The book’s genesis was complicated. “The story he wanted to tell was
basically all Elliot, but to tell it in a manner
that presented a balanced story in the way that I was looking for
meant calling in a co-writer, Tom Monte,” Shur said.
“Elliot’s normal writing style was very creative and
stream-of-consciousness, but I wanted more of a traditional story
narrative. I had worked with Monte before, so I signed him to put
Elliot’s material into the style I was looking for.
Joanne Abrams, my senior editor, worked with Elliot to get his memoir
into a more finalized form, and Monte did his
magic with the book, too. When it was done, Elliot approved, and we
had our book.”
The title of the book, and the movie, also has an interesting
backstory. Shur explained that the title was the brainchild
of Square One’s marketing director, Anthony Pomes.
“We had lots of titles in mind, but ‘Taking Woodstock’ seemed to fit
best based on the story,” Shur noted. “We felt
the title meant two things: Taking stock of your life and, in a sense,
control of your destiny — and also taking the
experience of Woodstock, and what that cultural event meant, with you
for the rest of your life.”
“Woodstock was a moment of freedom as well as a coming of age for a
new generation in America,” Shur added.
“So we used that title for the book, and Lee and Schamus are using it
for the movie as well. We are delighted.”
“
The book’s narrative reflects a young Elliot Tiber in his 20s who was
on the brink of financial ruin at the time but
who was also in a position to help pull off one of our generation’s
greatest rock concerts,” Shur said. “I wanted to
include some of the most important, yet overlooked, facts of the
coming together of the concert, and Monte (Eliot’s
co-writer), having also lived through the period, was able to do just that.”
When the book was first released, there were only a few reviews since
Square One was not a large publisher and
did not have the same kind of marketing clout as the larger book
companies in New York. But the reviews were
nevertheless positive, and slowly, word of mouth began to spread on
the Internet at book websites and blogs.
“We could see a real ‘grass-roots’ interest starting to build around
the book,” Pomes, the marketing director said.
“The audience was growing week by week, and we felt we held a sleeper
title that had what it took to turn into a
winner.”
How the book became a Hollywood movie to be directed by Academy Award
winner Ang Lee is also a story that
Shur tells with relish.
“It will sound like a Hollywood myth, but it really happened this
way,” he said. “Tibe
r was scheduled to appear on
a West Coast television show to promote the book, and while he was
waiting in the green room to go on the show, who
should sit down next to him, by pure chance, but Ang Lee.”
It turns out that Lee was also scheduled to appear on that same
interview show to promote his latest film, “Lust, Caution”.
“Elliot,” continues Shur, “introduced himself and spent the next hour
chatting with him about his book.”
“Well, when Lee went on the show, the host finished the interview by
asking Lee where he usually got his ideas
from for his movies, and Lee said that he really doesn’t go looking
for stories, that they seem to come to him. And
with that he turned to Elliot, who was sitting across from him, and
gave him a sly wink.”
“Nothing really happened until about five months later, when Lee had
finally read the book,” Shur said. “Lee
and Schamus felt there was a movie here, and together they went to
upstate New York to visit the Yasgur’s Farm
site where the Woodstock festival took place. Elliot joined them there
at the site, and the project was in the can. The agents
finalized the deal, everything was signed, and here we are. It looks
like Lee was right: in this case, the next movie
project really did just seem to come to him.”
When asked if he knew there was a movie in the book from the very
beginning, Shur said: “I’ll be honest with you.
As we worked on the book, I knew that Elliot’s story had the potential
to make a great independent movie. It was
like no other Woodstock story ever published. I believed that we could
find a small independent producer who could
turn the book into a film. However, in my wildest dreams I would have
never thought it to be the likes of Ang Lee and
James Schamus, two Academy Award winners who would take on the
project. So far, it’s been an amazing ride.”
So get ready for Ang Lee’s new movie set for release in the summer of
2009, although the release date is not set
in concrete and may change according to the whims of Hollywood’s
scheduling mavens. In the meantime,
readers who want to get straight to the heart of this unique American
memoir can grab hold of Tiber’s
book, available in bookstores and on Internet ordering sites
worldwide. No doubt, however, Lee will have plenty to say himself
about how Tiber’s book
came to him, and how he and Schamus collaborated on it as a film
comedy. For now, though, Rudy Shur has
told the story his way.