Wednesday, November 20, 2024

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2-Disc ‘Curious Case of Benjamin Button’ DVD Coming To… Criterion?

God, we flagged this last night, but we didn’t realize who was releasing it! (thanks Twitter folks).

David Fincher’s “The Curious Case of Benjamin Button” is coming out as a 2-disc set on the Criterion Collection, seriously?

Whoa, last time we checked Criterion was for “contemporary classics,” not flawed, molasses-moving and arduously long-winded snoozers with inconsistent effects.

But according to Reuters, it’s true. The two-disc set will come out May 5 and some will surely see this as validation for the mixed reviews/ mostly-snubbed Oscar fate of ‘Benjamin Button,’ but we’ll have to see it as sad proof that perhaps the Collection is losing its mind, or economic times are tough even for these artful DVD curators who were seemingly recession proof.

Meanwhile, check out the artwork for the disc. It’s sort of suggests Brad Pitt thinking, “whaaa, the Creeeterrrion Cohllllecsshion?” (just kidding, we just photoshopped it, but it’s fitting, no?)

The DVD for “Slumdog Millionaire,” comes out May 5 too, but Fox Searchlight is putting that out.

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28 COMMENTS

  1. They’ve made a few perceived gaffes (and I totally agree that a Criterion Benjamin Button is a gaffe; zzz…) in their selections before. Armageddon stands out as a big one. The Beastie Boys video collection and Fishing with John got fans’ hackles up as they were TV-based and not feature films. I’m not an obsessive buy-every-one Criterion collector so I’ll forgo condemnation, especially considering the overall cultural value of the series.

  2. SNAP! those are some GOOD june releases. Man, that blows my: Dear Criterion you should put out Last Night At Marienbad on your collection piece.

    If they do Celine & Julie i think I'll jizz all over myself.

    But Yonah, i think they'll make the exception for Button that has to come out at a certain time. Slashfilm has the real art and it looks very generic – i.e., they had to whip it together.

  3. I don’t think that’s real art. I wouldn’t put money on it, but it looks nothing like any Criterion covers I have ever seen. They pretty much never use borders like that around the artwork and truthfully, there covers are generally awesome looking (Danton and Begman island aside).

    It seems so unlikely that they would even release a film like this. They’ve been getting away from films like Chasing Amy, Armageddon, Robocop etc. for quite some time now.

    Also, I have never ever seen a Criterion image on the web with a 3D box like that. They are always straight on images.

    Again, I wouldn’t put money on me being right, but it just feels wrong somehow.

  4. I think that the critera for Criterion is that the films that they distribute must in some way have made a significant impact on film itself, not just content alone. The gaffes mentioned so far (Chasing Amy, Armageddon, Robocop) all were new strides in film making to some degree. Logic would say that Benjamin Button contributions to visual effect warrents a CC release….

  5. No, I second that “Robocop” is not a gaffe. I had the Criterion version of it for a long time as that was the only extended, unrated cut available. Now since then, they’ve released the two-disc special edition with all that material and more, and I’ve sold it (as I also did with Silence of the Lambs since they bettered that version as well, twice over mind you).

    As far as “Ben Button” making Criterion goes, whatever. I’m more interested in why “The Darjeeling Limited” wasn’t released on Criterion. Yes, it’s Wes’ weakest, but now that “Bottle Rocket” has made it, it’s the only film of his not on the label.

  6. Wow, how come when we post about other criterion films we get crickets?

    All of a sudden everyone’s posting. Weird.

    Anyhow.
    Robocop: I don’t get the cult behind that film.

    Darjeeling: Criterion finally realized Wes Anderson’s work isn’t unassailable.

  7. Hi.

    So, one… I'd like to repeat that I firmly believe the Criterion folk are not that lazy. Their covers are never that obvious. When they do (and rarely do they do this) release a film that is North American and recent (Wes Anderson being the only filmmaker of late to have received this treatment) they tend to create never before seen artwork.

    Second, I'd like someone to explain to me in what way this would be a financially intelligent move on Paramount's part? Why would they sell the home video distribution rights to a company like Criterion? They have there own home video arm and why would they hand the rights over to Criterion? It seems entirely illogical to me. Maybe that's just me.

    Just searched through Amazon for the DVD and here's what I came up with….

    http://www.amazon.com/Curious-Benjamin-Button-Two-Disc-Special/dp/B001U0HBPQ/ref=sr_tr_1?ie=UTF8&s=dvd&qid=1237513233&sr=1-1

    There is a more expensive version with no cover art:

    http://www.amazon.ca/Curious-Case-Benjamin-Button/dp/B001U7IJUU/ref=sr_1_2?ie=UTF8&s=dvd&qid=1237513173&sr=1-2

    But I don't understand why Criterion would release this film if there is a 2-disc version being sent out at the same time… no double dip, no nothin'.

    Finally, just like to put in my two-cents that I truly believe this rumour to be false.

    Over and out.

  8. Ahh… anything can happen.

    People believed Mr. Orson Welles for a short while during the whole War of the Worlds debacle.

    Anyways… I actually think I am wrong and this is happening. Primarily based upon The Criterion Collection having a space between 475 and 477 with no apparent film to fill it – and on the side of a high-res version of the Curious Case cover I found was the number 476. So, blah… seems it is one hundred percent true. Reuters or no Reuters.

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