Tuesday, November 12, 2024

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The 100 Most Anticipated Films Of 2017

the-tribe70. “Luxembourg”
Director: Myroslav Slaboshpytskiy (“The Tribe”)
Cast: Unknown
Synopsis: Drama about a jealous policeman working as a watchmen in the area sealed off after the Chernobyl nuclear disaster.
What You Need To Know: Most filmmakers are advised to keep their ambitions in check for their first feature, but Ukrainian director Myroslav Slaboshpytskiy didn’t appear to be in class that day — his brutal, stunning debut “The Tribe” was an austere, horrifying film told entirely in Ukranian sign language. Despite both the lack of spoken dialogue and the hard-to-watch elements, it proved an international arthouse success, winning a shelf full of awards, and three years on, he’s back with his follow up. It’s likely to follow a similar aesthetic (producers describe it, hilariously, as a “stone cold drama”) mixing Ukranian actors with non-professionals who actually work in the Chernobyl exclusion zone (an area the size of Luxembourg, hence the title). It’s a fascinating setting, and the the film apparently has neo-noir overtones to it, which is intriguing.
Release Date: After “The Tribe” stormed Directors’ Fortnight, expect a main competition debut at Cannes for this one.

Joel Egerton in Loving69. “It Comes At Night”
Director: Trey Edward Shults (“Krisha”)
Cast: Joel Edgerton, Riley Keough, Carmen Ejogo, Christopher Abbott, Kelvin Harrison Jr
Synopsis: A father must protect his family from a mysterious presence terrorizing them in their home.
What You Need To Know: All filmmakers should draw on what they know, and Trey Edward Shults certainly did: his “Krisha,” which was a sensation at SXSW a few years ago, starred his aunt in the lead role and a number of other family members alongside her. He’s moving further afield for his follow-up, which is financed, like “Moonlight,” directly by A24, who released “Krisha,” with a big-name cast led by Joel Edgerton, who’ll likely be an Oscar nominee by the time the film lands, and Riley Keough, who’s on a hell of a run at the minute after “Mad Max,” “The Girlfriend Experience” and “American Honey.” It’s a step into genre territory, and while the premise sounds, well, generic, we’re sure that Shults has found his own spin on it. Could this be this year’s “It Follows?”
Release Date: Nothing yet – SXSW could be a good bet again, or maybe TIFF Midnight Madness.

rooney-mara68.“The Discovery”
Director: Charlie McDowell (“The One I Love”)
Cast: Rooney Mara, Jason Segel, Robert Redford, Riley Keough, Jesse Plemons
Synopsis: A love story set a year after the existence of the afterlife has been scientifically proven.
What You Need To Know: With an intriguing, clever premise and red-hot cast, “The Discovery” would have piqued our interest even before we knew it was coming from McDowell, whose last film, the highly original Elisabeth Moss-starrer “The One I Love,” was also a relationship story with slightly fantastical elements. This time out, there seems again potential for a provocative take on boy-meets-girl: Just how would knowing that you’re going to live on after death affect your relationships while alive? There’s been some cast shuffles on this, with Nicholas Hoult dropping out in favor of Segel, but it’s a superb line-up too — Mara, who’s also McDowell’s partner in real life, is always worth the price of admission, and it’ll be fascinating to see Redford in a film like this). This is another one that Netflix will be releasing.
Release Date: Filmed early last year, so a Sundance premiere seems likely.

stronger-jake-gyllenhaal

67. “Stronger”
Director: David Gordon Green (“Pineapple Express”)
Cast: Jake Gyllenhaal, Tatiana Maslany, Miranda Richardson, Clancy Brown, Frankie Shaw
Synopsis: The true story of Jeff Bauman, who lost his legs in the Boston Marathon bombing.
What You Need To Know: Guessing David Gordon Green’s next move is always a fool’s errand — the prolific helmer has made eleven movies in seventeen years, each one quite different from the last. After a brief break licking his wounds after studio flop “Our Brand Is Crisis,” he’s back again, with a drama that marks the second movie to take on the Boston Marathon bombing, after this year’s “Patriot’s Day.” This takes a very different angle, though, instead focusing on Jeff Bauman, a victim of the terrorist act as he struggles to adjust to his life without his legs. It should be a doozy of a part for Jake Gyllenhaal, who’s on a spectacular run of performances (if not always movies), and it should be great to see a big showcase for enormously talented Emmy-winner Tatiana Maslany too. The premise risks being inspirational at the cost of everything else, but Green should stop it from becoming too sentimental.
Release Date: Potentially Sundance, unless it’s being held for awards season.

Call Me by Your Name - Still 266. “Call Me By Your Name”/“Suspiria”
Director: Luca Guadagnino (“A Bigger Splash”)
Cast: Armie Hammer, Timothee Chalamet, Michael Stuhlbarg/Chloe Grace Moretz, Dakota Johnson, Tilda Swinton
Synopsis: A young American boy living in Italy in the 1980s has an affair with an older man/A ballet dancer discovers that her Berlin dance school is a cover for something much more sinister
What You Need To Know: A six year gap came between Luca Guadagnino’s gorgeous international breakthrough “I Am Love” and his follow-up, this year’s hugely entertaining “A Bigger Splash.” But the Italian helmer’s making up for lost time, with not one but two movies set to debut across 2017. The first, “Call Me By Your Name,” is an intimate, gay-themed coming-of-age film based on an acclaimed novel by Egyptian author André Aciman, while “Suspiria” is, obviously a long-in-the-works remake of Dario Argento’s classic horror. They couldn’t be more different from one another, but we’re confident that Guadagnino is someone who can pull both off, especially with casts like these.
Release Date: “Call Me Your Name” will probably be at Berlin or maybe Cannes, “Suspiria” at Venice.

David Oyelowo plays Brian Nichols in Captive from Paramount Pictures.

65. “Untitled Nash Edgerton Project”
Director: Nash Edgerton
Cast: David Oyelowo, Joel Edgerton, Charlize Theron, Thandie Newton, Sharlto Copley
Synopsis: A Nigerian immigrant working for a drug cartel on the Mexican border attempts to fake his death to escape them.
What You Need To Know: A former stuntman and brother of Joel, Nash Edgerton has been a key figure in the Australian film renaissance, co-founding Blue Tongue Films and helming a couple of shorts that got DP Greig Fraser his start, but so far his only feature is the 2008 crime thriller “The Square.” But he finally steps up into the big leagues with this action-comedy, formerly known as “American Express.” In a welcome break for the more high-minded fare he’s better known for, David Oyelowo leads an eclectic and starry cast, with Amanda Seyfried, Michael Angarano, Alan Ruck, Harry Treadaway, Kenneth Choi and Melonie Diaz joining the likes of Edgerton, Theron and Copley. It’s mostly under wraps for now, but Edgerton has the right stuff, so this could turn out to be one of the surprises of the year.
Release Date: STX and Amazon have teamed up for the rights, but haven’t set a date yet. Likely late summer, we’d guess.

Wind River - Still 564. “Wind River”
Director: Taylor Sheridan
Cast: Jeremy Renner, Elizabeth Olsen, Martin Sensmeier, Jon Bernthal, Graham Greene
Synopsis: An FBI agent teams up with a game tracker to solve a murder on a Native American reservation.
What You Need To Know: Originally best known as an actor on “Sons Of Anarchy” and elsewhere, Taylor Sheridan’s had about as good a start to his career as you could ask for. In 2015, his “Sicario” was the break out indie crossover of the year, and this year “Hell Or High Water” managed the same feat. So our eyes are definitely on his directorial debut, which looks to be in the same classy, muscular neo-Western crime thriller territory as his previous writing-only work. A couple of “Avengers” alumnus headline, and we hope in particular that this continues something of a comeback for Renner, after his lovely, generous turn in “Arrival,” while a number of Native American performers make up the supporting cast, including “Hell Or High Water” scene-stealer Gil Birmingham.
Release Date: This actually shot in Park City, so a Sundance premiere might be a good bet. We imagine from there The Weinstein Company will target the same kind of August/September date that Sheridan’s previous films did so well with.

guardians-of-the-galaxy-vol-2-tp63. “Guardians Of The Galaxy Vol. 2”
Director: James Gunn (“Guardians Of The Galaxy”)
Cast: Chris Pratt, Zoe Saldana, Dave Bautista, Bradley Cooper, Kurt Russell
Synopsis: The Guardians must try to keep their team together as they search for Star-Lord’s father.
What You Need To Know: From unpromising beginnings — a space raccoon and a tree? Really? — James Gunn turned “Guardians Of The Galaxy” into one of the highlights of the Marvel Cinematic Universe, a colorful, funny, even unexpectedly moving adventure. So why are we currently psyched less for this than the other MCU movies this year? In part, it’s a worry that it’s going to be overstuffed — in addition to the returning Michael Rooker and Karen Gillan as Yondu and Nebula, now allied with the heroes, we also get Kurt Russell literally playing a planet, Pom Klementieff as a new Guardian, Sylvester Stallone as a space cop, and Elizabeth Debicki and Chris Sullivan as villains. And, in part, it was the slightly underwhelming teaser, which seemed to rest on its laurels a little heavily. Still, Gunn knocked it out the park first time around, and we have faith that he can do it again.
Release Date: May 5th

young-adult62. “Tully”
Director: Jason Reitman (“Juno”)
Cast: Charlize Theron, Mackenzie Davis, Mark Duplass, Ron Livingston, Elaine Tan
Synopsis: A mother of three, struggling to cope with her newborn, hires a night nanny and forms a bond with the young woman.
What You Need To Know: After a pretty killer start to his career with four very good comedies, Jason Reitman’s had a rough ride of it of late, with the somewhat ropey melodrama “Labor Day” being swiftly followed by Adam Sandler-starring ensemble piece “The Internet Is Bad,” or whatever it was called. But for his seventh feature, he’s reteaming with writer Diablo Cody, who penned two of his best movies in “Juno” and “Young Adult,” and the star of the latter, Charlize Theron, which can only be a good thing. It’s apparently a comedy about motherhood, and has Mackenzie Davis of “Halt & Catch Fire,” “San Junipero” and “The Martian” as the co-lead opposite Theron, and that’s a pretty formidable pairing. Fingers crossed this sees Reitman back on form.
Release Date: Wrapped earlier in the fall, so look for it at Telluride and TIFF.

adam-mckay61. “Untitled Dick Cheney Biopic”
Director: Adam McKay (“The Big Short”)
Cast: Unknown
Synopsis: The story of Dick Cheney, as he goes from CEO of Halliburton to Vice President under George W. Bush, where he was a key supporter of the war in Iraq.
What You Need To Know: Last year saw Adam McKay pull off one of the most successful career about turns we can remember a filmmaker attempting. The former SNL head-writer was known exclusively for his (atypically good) broad comedies with Will Ferrell like “Anchorman” and “Step Brothers,” but stepped into more serious territory with “The Big Short,” which tackled the financial crisis with an A-list cast and a light touch, and went on to be a major Oscar player, seeing McKay take the statue for Best Adapted Screenplay away. He’s had various follow-ups brewing, but only last week announced that he’s had a secretive project gearing up, a biopic of Dick Cheney. It reteams him with Brad Pitt’s Plan B, though beyond that little else is known about the movie, other than it’ll start shooting early next year. Who’ll end up donning the bald cap? Steve Carell? Richard Dreyfuss, reprising his role from Oliver Stone’s “W?” Who knows, but we’re intrigued to find out.
Release Date: Paramount are reportedly planning a late 2017 release, likely in a similar pattern to “The Big Short.”

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62 COMMENTS

  1. PTA’s TWBB was not set in the Depression-era, it was early the early 20th century, starting even before, in 1898, and ending before the Great Depression, in 1927. Any cinefile would know (though maybe not the specifics), and any idiot knows TGD was in the late 1920s through the 30s.

  2. It may not qualify for this film list, but it’s also worth remembering that Twin Peaks makes its return next year as well (and, if rumors are true, may see some form of theatrical release for selected episodes).

  3. “Lady Bird” is NOT Greta Gerwig’s directorial debut. She previously directed “Nights and Weekends”, which is one of the greatest movies of the last decade (at least according to me).

    • I would guess that they covered it in their list for 2016. A lot of international films that are likely to get US release dates next year were probably covered there.

  4. OK, the omission of Alfonso Cuaron’s next film is a HUGE mistake in so many ways. 1) It represents a hasty job of making this list 2) You guys had him at #12 in your 100 Best Director list, and said about his next film “going back to Mexico to shoot a smaller-scale Spanish-language drama, only makes us love him more”. ?????? 3) It’s freaking Alfonso Cuaron, and he’s making a Mexican-language film. How do you make a mistake like that?

    • Easy, by him pulling a totally moronic move like making a mexican movie in mexican language. if you want a movie watched, if you want to share some message with your film, it needs to be in ENGLISH, period. It is the de facto standard international language. . It gains the director nothing because it paints him as some douche bag trying to get labled as artistic and brilliant when in reality it just makes you an ignorant ass who doesnt care about his potential viewing audience. The film loses because no one is going to watch it except for hipster douchebags and mexicans who are just going to pirate it because they cant afford a burrito, let alone going to a movie. Us potential viewers lose big time because we miss out on something that might of been a great flick by a talented directed who fkced the pouch by putting it out in mexicali. Its one thing if your uneducated and dont speak english to make a foreign him. But if you not only know english, you have demonstrated you can make a phenomenal english language film,.your just being a moron at best to make a film in anything but english and at worse an arrogant asshat Who thinks making a film in such a way that he guarentees it wont bewatched by almost anyone is some sort of artistic statement instead of being a fool

  5. You need an editor. For starters, where is The Lost City of Z? You’re not eager to see it next year? It was one of the best reviewed films at the NYFF just a few weeks ago (at 87% on RT right now), ten years in the making, and directed by James Gray. How do you explain an oversight like that? Especially when this list has some real junk. And in what universe is Olivier Assayas considered a “smart young filmmaker”? Bad editing. Pattinson is working with lots of smart, young filmmakers, and I’m far more excited about seeing Damsel, from the Zellner brothers than anything that Assayas might put out. Idol’s Eye is still a pipe dream, Assayas doesn’t know if he can even get it together (according to his latest interview out of a film festival in Argentina). I’d even rather see Harmony Korine’s The Trap than Idol’s Eye.

      • Lost City of Z we’ve already seen and reviewed so that goes on another list which you’ll see soon.. Harmony Korine’s The Trap is currently on hold, fyi and he may not even make it- certainly not in 2017. So it’s actually the trap that’s a pipe dream whereas Idol’s Eye is actually going forward and has money and backers, etc.. The Cuaron was an omission that we rectified.

  6. So right about a Phoenix film always feeling like an event 🙂 The films don’t always come through for me, but he does. My favorite film of late is The Immigrant. His performance shook me to tears

    • Phoenix is on the roll this decade – The Master, Her, The Immigrant, Inherent Vice. Even when the final result is a little bit underwhelming (Irrational Man) he makes the movie interesting. And I agree about ‘The Immigrant’, excellent film and very underrated. Can’t wait for ‘Mary Magdalene’.

  7. I could not get on board with The Lobster. I guess it’s just the whole genre. I didn’t find it funny. But your right Farrell was great. He’s just gotten better and better these days. Raffey Cassidy is so adorable, little nervous about seeing her in a Yorgos film

  8. So appropriate to have a PTA/DDL reunion at #1. There Will Be Blood was brilliant and Day Lewis created one of the greatest characters ever, endlessly quotable. You look like a fffffool, dont you Tilford?

  9. Your opinions are insufferable. It seems like you hate pretty much everything, except the usual stuff internet geeks love (PTA etc.). You put Alien Covenant, the new Polanski and the new Allen movies on the list, but rip their recent work apart in the text. Makes no sense.

  10. WEIGHTLESS should be in the Top 20 at least. I completely understand why people aren’t enthusiastic about this project anymore but it deserves much more for that glorious cast alone. Best ensemble of the decade ? I think so !

    • We don’t know how many of them will even make the cut though and how many scenes they’ll get. Knight of Cups had a great cast too but some actors were basically a glorified cameo if you could even identify them to begin with.

      Really want a trailer already though.

      • I hope that at least main six (Gosling, Mara, Fassbender, Portman, Bale, Blanchett) are in the final cut and with as much screen time as possible. If Weightless premieres in Berlin (and it’s likely) then we can expect trailer this month (that was the case with Knight of Cups). Seriously, I’m tired of waiting for this movie.

  11. Wait, why was “Loving Vincent” not mentioned? There’s no chance that film is going to be anything other than a mindblowing spectacle of animation. Is it still that relatively unknown?

  12. Are you serious with that Polanski write up? Why are you joking about him sexually assaulting a minor? Is that really not that big a deal to you, do you think it shouldn’t cloud peoples views of his films??

    • Uh… what?

      I got the complete opposite reaction to that. It’s a joke, sure, but a very serious one. What possible reason would they have to mention it so many times if they felt it wasn’t a big deal or shouldn’t cloud peoples views of his films? I mean, I honestly can’t understand how you can have gotten that impression.

    • I’m a fairly loud feminist and even I found it kind of needless. The only person who deserves to hate him is his victim and she has forgiven him and wants to move on with her life. You can see something close to a filmed apology with the way Polanski handles TESS and DEATH AND THE MAIDEN.

  13. {though the themes of racism and police brutality will undoubtedly make it feel just as of-the-moment}……
    Oliver Dear: You neglected to add In Obama’s America to the bracketed statement.

  14. Alien Covenant at 91 is madness, for one I will never understand the Prometheus hate, that was an excellent movie and worthy prequel, the abortion scene is one of the best body horror scenes of all time, for another to get Scott back with the Xenomorphs is just about the most hype thing to happen in cinema for a while.

  15. Well gee, could you at least leave out the innuendo about Polanski? And you said the film stars his “partner”. Your journalistic skills are indeed lacking if you can’t IMDB him and find out Emmanuelle Seigner is not his partner, but his WIFE of 28 years. So please, next time do your actual research and find out that said “13 year-old” has been staunchly on his side for the past almost four decades. So again, you do yourself a great disservice when you don’t get the facts straight.

  16. I don’t know, Kingsman: The Golden Circle seems much more exciting than the rest of these movies (at least to me), but I forgot that it’s a shitty racist, sexist, and homophobic movie that nobody should like.

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